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Same
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The
Google
music search
in China
and its resources
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Welcome
to subscribe our RSS
mail >>>>>>
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Our
RSS address
../../xml/engrss.xml
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| It
is specially provided for China region from 2008 year that "Google
music search in China". It has a few genuine musical resources of
100,000 and provides whole free download of Mp3 with 192 Kbps for Chinese.
Below is its home page ( http://www.google.cn/music/homepage?hl=zh-CN&tab=wU
) |
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| Because
it only open for china region, if you are outside
China region, so you maybe need by way of a proxy for open it.
The "Google music search in China" is co-operation with China
"Top100" web
site (Huge whale Music Network) for achieve the target |
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in "MORRICONE" in its search frame, all results are shown |
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| Total
874 music and 71 albums was shown. Click any one and enter its page, example
below: |
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are some Chinese icon legend and its English translation for your reference: |
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Download
Whole album
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Audition
of wholet album
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Add
to music widget
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Select
all
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Play
the music
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Free
download
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Download
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Add
to music widget
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Play
selected music
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Add
to play list
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| Below
is the web page of Google music search in China ( just is http://top100.cn
). This is a web page of search result the "MORRICONE" |
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| In
order to outside China can see the pages, we have saved its 4 pages that
include 71 Morricone's album. You can click them to see 001.
002,
003,
004
. Every sub-page have whole audition and free download. Below is an example
page --"Focus" |
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| Below
is a list that contained 71 albums and their content brief information
for your reference. Its Chinese or English word come from the Google music
search in China. All album can be download there (Mp3 format with 192
Kbps) |
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No.
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Cover
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Name
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Content
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01
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这张专辑对埃尼奥莫里康尼的电影音乐人生进行了归纳，是埃尼奥莫里康尼的经典收藏品。本专辑是从莫里康尼的众多作品中筛选出来的观众最喜欢的经典作品，重新编辑完成。而且布拉格爱乐管弦乐团的精彩演奏将会给观众带来更加精彩而感动的音乐杰作。
埃尼奥莫里康尼是一位在电影音乐领域中独占一席之位的电影配乐大师，他曾荣获电影配乐金球奖、英国奥斯卡音乐奖、美国奥斯卡音乐杰出贡献奖等众多奖项。我们所熟悉的影片《天堂之日》,
《爱你,想你,恋你》, 《教会》中的插曲都是出自于这位大师之手。2008年莫里康尼又获得了法国政府为他颁发的‘Ordre national
de la Légion d’honneur’勋章，又一次成为了备受世界瞩目的对象。2009年他第二次来韩演出，为韩国人民带来了充满激情的舞台表演。
在埃尼奥?莫里康尼的音乐生涯中，美国西部影片是必不可少的一部分。尤其是《黄昏三嫖客 (Per Qualche Dollaro
In Piu, 1965)》系列片和《荒野大嫖客》等影片的插曲，至今仍未被人们遗忘。另外让他拥有电影配乐大师美称的《天堂之日》、《教会》等影片的插曲，也给全世界人们带来了意犹未尽的音乐享受感。
《Masterpiece of Ennio Morricone》精选集，追随了埃尼奥?莫里康尼的脚印，筛选出莫里康尼作品中的经典，带给观众超过视觉感受以上的音乐美感。再加上布拉格爱乐管弦乐团的精彩演奏和录音效果，将会给观众带来与众不同的听觉享受，这就是这张精选集与其他专辑的区别。 |
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2-4
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Special
4 CD box is a tribute to the long and successful career of the
most renowned Italian contemporary composer. A project realized
by the label in collaboration with Morricone himself, this is
a digibook containing 4 CDs devoted to 4 different subjects-
Film Music-a collection of the best music themes taken from
his most celebrated soundtracks. Chamber Music-10 pieces performed
by the instrumental ensemble 'Musica D'oggi'. Symphoy Music-a
CD containing Morricone's music for large symphonic orchestras
and Music For Piano. The box is completed by a 20 page book
in Italian and English with the biography of Morricone, the
complete list of soundtracks, concerts and compositions he wrote
plus pictures of the maestro.
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5-8
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9
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10-13
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14
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For
over a decade now, legendary film composer Ennio Morricone has
resisted the dozens of invitations from labels and artists to
remix his original work until now. Somehow the folks at Reprise
were either diplomatic enough with a satisfactory aesthetic
approach or had a big enough checkbook to satisfy the artist's
concerns. A varied cast of pioneers from electronica's vast
frontier was assembled by compilation producers Stefan Rambow
and Norman Rudnitzky. The first two cuts are the most obvious.
There's Apollo 440's "The Man With the Harmonica,"
mixed out of the soundtrack for Once Upon a Time in the West.
There are layers and layers of keyboards extrapolating the melody
and parts of it with dub effects and large, deep drums and sequencers.
Terranova's reading of "For a Few Dollars More" is
completely forgettable I literally can't remember it in the
second slot, so things don't reach high simmer until Fantastic
Plastic Machine's edited remix and rewarp of "Belinda May"
from the film The Alibi. Producer and mixologist Tomoyuki Tanaka
adds three layers of Brazilian percussion and vocals to the
Latin rhythmic and melodic qualities of the original, turning
it into a heavenly hash of good vibes, killer string swells,
and dubbed out, echoplexed, rhythmic samba throb. The two DJs
from Rockers Hi-Fi turn in separate remixes of the "Clan
of the Sicilians" theme. The two readings are radically
different; DJ Dick's is the better of the two, with a tropical
feel added to the already exotic soundscape painted by the composer,
layering funky flutes and an additional foreground set of harmonized
strings. Bigga Bush's remix is more minimal, fielding an additional
layer of tripled percussion and stripping back the melody by
adding chords to frame the drums.
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15
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16
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17
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18
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19
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《Very Best Of Ennio Morricone》专辑发行于2000年，此张选辑试着从西部口哨声、沙龙音乐、空灵乐音、人声合唱、电子合成乐与古典交响乐之间跨越影像的音乐元素选择。重点式的领略Morricone采撷音乐的微妙性质。
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20
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这张名为YO-YO MA PLAYS ENNIO MORRICONE(马友友的电影琴缘），让人又沉浸在Ennio
Morricone美妙，优美的旋律中。以回家三部曲的配乐最为经典，悲伤的情怀，家的感觉，爱的真谛通通溶入马友友哀怨低沉的大提琴中。这样的音乐并不是一个人的哀鸣，而是一种磅礴的，似乎全世界都在呐喊的声音。
这张专辑是Ennio Morricone亲自指挥罗马交响乐团为马友友伴奏录制的，精选了包括上面提到的"Giuseppe三部曲"以及其他10部电影中的主题、插曲，堪称梦幻组合。据说Ennio
Morricone因为《西西里的美丽传说》入围01年奥斯卡最佳配乐奖，虽然最后这一奖项由谭盾的《卧虎藏龙》获得，但颁奖晚会上马友友弓下的《卧虎藏龙》让Morricone一见如故，之后专门精心挑选了一批自己谱写的经典配乐，重新编排为大提琴版本，亲自执棒为马友友伴奏，这才有了这张专辑的问世。而在合作过程中，马友友也深深地被这位传奇配乐大师的音乐所感动，我记得CD封2的介绍里就有马友友对Morricone的一句话，简单而真挚的赞美，"You
are simply my greatest musician"
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21
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So
Sweet, So Sensual - A Collection
Of The Warmest Classics By Morricone |
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22
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23
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《La Trilogia Del Dollaro》专辑发行于1995年。这张专辑的歌曲风格完全符合他本人的个人特点。在这张专辑里你可以从他的每一首歌曲里体会到他对音乐的热爱以及他对歌曲的深情投入。这张专辑的销售量也非常好，受到了很多听众的欣赏和好评。每一位听众当你听到这张专辑里的每一首歌时，都会被歌曲的旋律所感染，感受到音乐带给你的无穷魅力。
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24
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25
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本张专辑是电影《荒野大镖客》的原声音乐，由8首歌曲组成，其中有两个曲子是脍炙人口的。第一个是它的开始曲Titoli，爽朗的口哨声，牛仔的吆喝声，皮鞭挥舞声，精确地反映出西部的旷野与豪迈气氛，跃动的附点结构，低音鼓的润色，营造了骑马奔驰的动感，旋律流畅上口，令人过耳难忘。第二个是主题曲A
Fistful of Dollars，这是一段描写主人公悲剧英雄式的孤寂心情的曲子，尽管他个人有高超的枪法，武技和救死扶伤的良知，但他仍无法摆脱那个时代给于他的束缚和创伤，在影片结尾一段描写他冒着生命危险，有勇有谋地从远距离以手枪战胜来复枪的射击，救出了一位嫉恶如仇的善良老人。背景音乐以喇叭，长号等坚实阳刚的铜管音色再次奏出这段乐曲，刻画了主人公的悲怆心情，给人留下极其深刻的印象。(Our
chronology number 64-05)
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26
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UK
twofer includes the maestro's scores to 'Svegliate E Uccidi'
(1966) and 'Sacco E Vanzetti' (1971). Slipcase. Camden. 2003.(Our
chronology number 66-06
和 71-13)
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27
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28
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29
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30
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Collection
of themes taken from his many scores during the '70s. 24 tracks
including 'Citta 'Violenta', 'Metello', 'Spazio 1999' and 'Orient-Express'.
Double slimline jewel case. 1999 release.
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31
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32
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33
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《Secret Of The Sahara》发行于1996年，是在1984年拍摄的一部冒险题材的电视剧集(4集
总长度约360mins 国内曾经译制引进过)，片子名气不大，不过但凡看过的人对其评价均很高(可以参考imdb上观众的评论)，几乎拥有冒险影片所应具备的所有元素，充满浪漫主义情怀。记得当年观看时，除剧情之外，印象最深的就是影片的配乐，没想到竟是出自大师Ennio
Morricone之手。(Our chronology number 88-04)
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34
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In
this compilation you will get 22 love themes from one of the
most acclaimed composer of film music, Ennio Morricone. Here
the composer offers a testimony to his exceptionnal versatility
with a series of love themes taken from films of every type
: action films, comedy, thrilers, adventure films, film of social
commentary etc. These themes are original soundtracks and show
very well that Ennio Morricone is not only a western movie composer.
This is one of my favorite CD and I highly recommend it.
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35
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Anyone
who thinks that Ennio Morricone's best work in the spaghetti
Westerns is centered in Sergio Leone's "Man With No Name"
trilogy hasn't heard this delightful volume, which assembles
the composer's music for nine Italian Westerns made between
1964 and 1972. There's not a dull note of music anywhere in
here, and quite a bit of it is fascinating on an intellectual
and musicological level. Morricone is known for his long, Puccini-like
melodic lines and his use of wordless male choruses, whistling,
and electric guitars to carry a melody, but on the early scores
here, he uses solo trumpets and reed instruments (especially
the oboe) — clearly "The Slaughter" from A Gun for
Ringo owes something to Dimitri Tiomkin's scoring for Rio Bravo.
The title theme from At Times Life Is Very Hard, "Isn't
That Fate" is, by contrast, an amalgam of pop and classical
music, like an air freshener commercial that suddenly takes
a detour through Giuseppe Verdi territory and gives more than
a wave to Aaron Copland's "Billy the Kid." "McGregor's
March," from 7 Guns for the McGregors, seems like a military
march version of the old "Texaco theme" ("we
are the men from Texaco..."), re-scored for heavy brass
and pipes, with a whistled break. And other title themes resemble
mid-'60s Euro-pop music. There are several songs here that are
noteworthy as broad, satirical expressions of the Western ethos:
"Angel Face," "A Gringo Like Me," and "Lonesome
Billy" are parodies of songs like "High Noon,"
sung in a declarative style midway between Hollywood and the
operatic stage, and they have to be heard to be fully appreciated.
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36
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Ses
plus grands succès is a compilation album by Ennio Morricone,
released in 1999. It includes two tracks that were never released
on cd before, "Pour Quelques Dollars De Plus" and
"Pour Une Poignee De Dollars".
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37
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Fateless
is a great movie. This music is a perfect accompaniment to the
movie. The movie is made by artists who take a Nobel Prize winner
book and make it a film worthy of the same. The music by Ennio
Morricone on this album is part of that artistic endeavor that
makes this film so good. There are three melodies that repeat
and echo throughout this score to become recognizable as you
listen. The titles of each piece are evocative: The Beginning
of The Tragedy; Psychological Destruction; To Return and Remember.
They evoke the mood of the movie. But like great accompaniments,
it stands on its own too, as a separate work of art. That is
how good it is. The only minor carp is that this CD does not
include the folk song sung in the film. Ennio Morricone has
scored many films whose music continues to haunt long after
the film is over (witness "The Mission' as a particular
example). He is able to work with the director and the visuals
and the script and fine that right ground where the mood is
underlined by the music provided. Rarely does Morricone's music
draw attention to itself: perhaps during the credits and titles
before the story is before us there is space to simply appreciate
the beauty of his composition. In FATELESS, a thoroughly captivating
film, Morricone uses the full orchestra - both Morricone and
Kalman Strausz conduct the Hungarian Radio Symphony Orchestra
and the soloists used are Ludovico Fulci and Lisa Gerrard. The
references and pieces of classical music that he uses to flavor
the background are unfortunately not on this CD and the buyer
should be aware of that, but instead what we have are the themes
assigned to the characters and the background scoring that adds
so immeasurably to the mood of the film. The music is so cine
that it makes for a superb CD of yet more of Morricone's gifts.(Our
chronology number 05-01)
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38
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Ennio
Morricone's Academy Award-nominated score captures the conflict
between 18th-century Jesuit missionaries trying to convert the
native Indians, and the slavers who want to destroy them. In
keeping with the serious subject matter and epic scope of Roland
Joffé's film, the score is by turns grave, lyrical, and tense.
Ever inventive, Morricone mixes liturgical chorales, native
drumming, and Spanish-influenced guitars, often in the very
same track, to capture the drama of the culture clash. His trademark
lyricism also comes through, notably in the beautiful themes
for "Gabriel's Oboe" and "The Mission."
Not as over-the-top as his well-known spaghetti Western scores,
The Mission shows Morricone at his dramatic best.(Our chronology
number 86-03)
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39
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《海上钢琴师》操刀配乐的是世界电影界著名和资深的意大利最具风格的作曲家埃尼奥·莫里康内，大师以钢琴为主配合适当的管弦乐和室内乐创作出音色醉人、旋律优美和风格隽永的迷人乐章。在《海上钢琴师》里，大师以钢琴为主配合适当的管弦乐和室内乐创作出音色醉人、旋律优美和风格隽永的迷人乐章。其中随性的爵士音符随处可见，出彩的配乐表现出这张大碟决不流俗的态度。同时这张原声大碟还请来Amedeo
Tommasi、Gilda Butta等钢琴独奏家，演绎Jelly Roll Morton及Scott Joplin等散拍乐名家的代表作品。原声大碟中，1900在滑动的钢琴的上弹奏、与爵士乐大师斗法机巧跳脱，精妙无比，尤其是他透过舷窗看到暗恋情人即兴创作的那一曲“playing
love”，更是温婉细腻如喁喁私语，被公推为全片最动人乐章。全专辑最具吸引力的当属颜尼欧 莫瑞克奈与前Pink Floyd乐队大将Rogers
Waters以及重摇滚乐队Van Helen的当家吉他手Edward Van Helen，三巨头首度合作的电影主题曲《Lost
Boy Calling》，悠远飘渺，增添几许传奇深度。(Our chronology number 98-05)
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40
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《Morricone RMX》，参与的阵容之坚强一时无二，包括都曾在柏林电音名厂K7发表过DJ
Kicks混音系列的Rockers Hifi /Nightmare On Wax与Terranova、维也纳代表Sofa
Surfers、来自华盛顿特区的Thievery Corporation、曾来台表演的日本涩谷系组合Fantastic
Plastic Machine、法国三人组Tommy Hools等队伍，分别以Chill-out /Downtempo
/Abstract Hip Hop等时兴的电气舞拍，改造Ennio Morricone向来有Spaghetti Westerns之称的招牌风格，近些年成功入主《LIS太空号》，《霹雳娇娃》主题曲的Apollo
440，则一改典型Big Beat路线，以幽微的Dub/Trip Hop翻玩了《狂沙十万里》的主乐章。
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41
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.(Our chronology number 05-01)
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42
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43
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44
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45
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(Our chronology number 71-23)
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46
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(Our chronology number 69-21)
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47
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(Our chronology number 72-28)
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48
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(Our chronology number 81-05)
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49
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(Our chronology number 72-32)
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50
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(Our chronology number 70-02)
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51
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(Our chronology number 77-09)
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52
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With
classic films like The Good, the Bad and the Ugly and Once Upon
a Time in the West, Sergio Leone built his reputation as a master
of the Western. A key part of these film's unique style was
their soundtracks, all of which were crafted by Ennio Morricone:
his singular mixture of avant-garde quirks, pop instrumentation,
and traditional orchestral romanticism played a crucial role
in helping Leone redefine what audiences expected from a Western.
However, the album isn't all somber melodicism: Giu la Testa's
sense of melancholy is balanced by some playful moments like
"Scherzi a Parte," a jaunty reworking of elements
from the main theme that contrasts a carefree whistled melody
with odd electric keyboard riffs, and "Marcia Degla Accattoni,"
a clever cue that tarts up its march-styled orchestral melody
with quirks galore (singers croaking nonsense syllables, unexpected
mandolin parts, unexpected whistle, and harpsichord breaks).
The remainder of the cues mostly revisit melodic elements from
the main theme, but none ever wear out their welcome thanks
to Morricone's relentlessly innovative touch as an arranger.
All in all, Giu la Testa represents one of the towering achievements
in Ennio Morricone's catalog, because it represents the one-of-a-kind
blend of romanticism and musical innovation that defines his
finest work in the Western soundtrack genre.(Our
chronology number 71-09)
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53
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意大利电影配乐大师 Ennio Morricone 现已72岁高龄了，他是电影史上最富盛名的配乐大师，我们已经不知道他具体编写创作了多少部电影的配乐，大概是500多部吧，几乎任何风格的电影都有他的创作足迹。Morricone的音乐具有深刻的含义和浪漫的气质，更使得他的音乐能够和电影塑造的气氛融合的恰到好处，他尤其注重听者内在感情的细腻变化，让听者内心产生共鸣，而大师对于音乐的深刻理解和把握更令人肃然起敬。本张专辑是大师在1970年的作品。(Our
chronology number 70-04)
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54
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(Our chronology number 70-01)
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55
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(Our chronology number 71-30)
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56
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暴风雨交加的一个夜晚, 作家奥诺夫落汤鸡般的在街道上奔跑,
一名警察拦住了他, 由于不能出示身份证明, 他被带到警察局盘问. 几小时前一名身份不明的女人在宾馆的房间被杀, 由于解释不清自己何去何从,
奥诺夫被警察认定为重要嫌疑人. 黎明时分, 被害女人的身份真相大白, 而等在作家面前的命运又该如何? 意大利名导朱赛吉.托纳多雷(《天堂电影院》、《海上钢琴师》、《西西里的美丽传说》)执导,
杰拉尔.德帕蒂约、罗曼.波兰斯基主演. 荣获法国凯萨奖最佳导演、最佳男主角等多项大奖、法国戛纳电影节金棕榈提名(Our
chronology number 94-02)
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57
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The
soundtrack to the film Bugsy is simply one of the most amazing
pieces of music ever written. it is Ennio Morricone at his absolute
best. there is so much emotion and passion in each track, one
can not help but feel a wide range of emotions when listening
to this CD. you owe it to yourself to add this CD to your collection,
especially if you are a Morricone fan. This is a perfect example
of the melodic Morricone, where one can witness the Italian
maestro in one his greatest moments. Bugsy's score is indeed
like many other Morricone scores; Yet it is different in so
many ways.(Our chronology number 91-04)
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58
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Soundtrack
from the epic spaghetti Western film of the same name directed
by Sergio Leone.After deconstructing the classic American Western
by way of The Good, the Bad & the Ugly and A Fistful of
Dollars, director Sergio Leone distilled his intentions with
1968's Once Upon a Time in the West, arguably a milestone for
both Leone and his musical cohort, Ennio Morricone. For his
part, Morricone framed Leone's meditative camera work and mythic
narrative with a mix of hauntingly spacious pieces and reconfigured
snatches of old-timey tunes. Just within the stretch of the
first four pieces here, Morricone evokes the endless expanse
of the West with a Copland-esque aria (the main title theme),
weaves some twisted grit into the showdown theme with loads
of guitar fuzz ("As a Judgment"), ingeniously combines
whistling and a clippity-clop rhythm for a respite piece ("Farewell
to Cheyenne"), and conjures the surreal end of the cowboy
mythos via a wonderfully disjointed serial-style number ("The
Transgression"). And whether sounding upbeat or stark,
Morricone informs it all with the dry and windswept vacancy
of the West. Beautiful and stunning.(Our
chronology number 68-08)
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59
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Ennio
Morricone's strength is that he's able to create a unique mood
over the course of any one of his sountracks. This compilation
stuffs 22 tracks from all sorts of films into 74 minutes, and
not only is the result strangely flat and unsatisfying, it doesn't
even contain his best work. This album is a superb compilation
of some of Ennio Morricone's finest works that span from spaghetti
westerns themes to early 20th-century-America nostalgia.And
only one phrase comes up in my mind: "Simply Stunning."
I first became an avid admirer of Ennio Morricone's work eversince
I listened to Gabriel's Oboe in The Mission OST. As many already
know, there's no denial in the tremendous aesthetic value of
Morricone's music and its impact on our culture and ideals (as
we grew up watching Italian westerns).But this album in particular
stands out as a grande finale to the greatest composer alive
in our time. It is a great colourful firework that will decorate
the ever approaching and thickenning night. I was brought to
tears by this emotion-filled album. My heart goes with this
album in tribute to my unknowing hero who gave me hope and inspiration
through beauty which he created with an almost divine talent.
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60
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In
this compilation you will get 22 love themes from one of the
most acclaimed composer of film music, Ennio Morricone. Here
the composer offers a testimony to his exceptionnal versatility
with a series of love themes taken from films of every type
: action films, comedy, thrilers, adventure films, film of social
commentary etc. These themes are original soundtracks and show
very well that Ennio Morricone is not only a western movie composer.
This is one of my favorite CD and I highly recommend it
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61
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62
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两位电影大师埃尼奥 莫里康尼和克林特 伊斯特伍德终于相遇了。这张专辑通过布拉格爱乐管弦乐团的演奏，再现了两位大师的精彩合作。如果您是真正喜欢音乐的收藏家，那么绝对不能错过这张主题系列的珍藏版专辑！！
身为电影演员和电影音乐导演，年轻时就已经交情颇深的二人，如今已经成为了电影和音乐领域中的世界级大师，装饰了电影历史的辉煌一页。在《Ennio
meets Clint Eastwood》中收录了两位大师相遇时创作的精彩作品。 通过本作品我们能够有幸欣赏到被称为美洲西部电影精髓的《荒野大镖客》、《黄金双镖客》《黄金三镖客》等影片的插曲和能够展现克林特
伊斯特伍德另外一种风格的影片《火线狙击》中的片中曲。另外，布拉格爱乐管弦乐团的精彩演奏，令本专辑中的曲子显得更加优美动听。
专辑《Ennio meets Clint Eastwood》将会给大家带来埃尼奥 莫里康尼和克林特 伊斯特伍德早年合作过的珍贵而精彩的经典之作。
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63
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64
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Criminally
overshadowed by the moral uproar surrounding Adrian Lyne's film
remake of Vladimir Nabokov's groundbreaking novel Lolita was
Ennio Morricone's remarkable score, a hauntingly beautiful (and
beautifully haunting) effort on par with Il Maestro's finest
work. The music possesses a darkly dreamlike sensuality that
perfectly communicates the erotic obsession at the material's
core. Morricone's elegant melodies are daring yet subtle, shaded
by melancholy strings and ethereal electronic textures. Milan's
official soundtrack release is something of a misfire, however,
interrupting Morricone's reverie with period pop hits like Ella
Fitzgerald's "Tain't What You Do" and Louis Prima's
"Civilization (Bongo, Bongo, Bongo)." Great music,
without a doubt, but poorly matched to the intimacy of the instrumental
score (Our
chronology number 97-04)
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65
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这张专辑是电影的原声音乐。专辑发行于2001年，收录了12首乐曲，这些乐曲都是著名的配乐大师"Ennio
Morricone"所作。整张专辑的曲子很不错，听这些乐曲像是又把听者带到了电影之中。喜欢的朋友可以听一下。(Our
chronology number 00-07)
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66
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这张专辑是电影的原声音乐。专辑发行于2003年，收录了17首乐曲，这些乐曲都是著名的配乐大师"Ennio
Morricone"所作。整张专辑的曲子很不错，听这些乐曲像是又把听者带到了电影之中。喜欢的朋友可以听一下 (Our
chronology number 02-07)
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67
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Morricone的音乐具有深刻的含义和浪漫的气质，更使得他的音乐能够和电影塑造的气氛融合的恰到好处，他尤其注重听者内在感情的细腻变化，让听者内心产生共鸣，而大师对于音乐的深刻理解和把握更令人肃然起敬。这张Arena
Concerto专辑中收录了“天堂电影院”、“美国往事”、“独行侠决斗地狱门”、“西部往事”、“阿尔及尔之战”、“传教”等经典电影的配乐。
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68
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当莫里康内遇到邦蒂丝，《Focus》就不能仅仅以电影原声合辑来形容了。前者是世界电影界着名和资深的意大利最具风格的作曲家埃尼奥·莫里康内(Ennio
Morricone)，后者是葡萄牙着名的女歌唱家Dulce Pontes，两者合作的这张《Focus》正如其名，聚焦了Ennio的电影原声精品及为邦蒂丝制作的歌曲15首（本人发布的是日本Bonus
Track版，多了一首），包括《天堂影院》，《西部往事》等影片中的经典歌曲。邦蒂丝完美的演唱将Ennio的作品表现的既柔美动听又不失大气，总而言之，这绝对是张值得收藏的CD
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69
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70
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A
major influence on Western scores right into the nineties, Morricone's
music utilizes quite a remarkable array of musical tools. There's
a traditional element of Western underscore, with a brassy feel
to it, but this is joined throughout by thundering percussion
that includes a lot of bells, various arrangements of voices,
clanging acoustic and electric guitars, and even a prepared
piano. Aside from the famous title track with its Shadows influences,
there's a lot here to recommend this particular score — there
are moments of intense drama and incredible beauty that are
rarely heard in motion picture underscore, giving the work a
classical feel. A cover of the title track provided Hugo Montenegro
with a major British hit. (Our chronology number 66-05)
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71
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RCA
Records faced a problem at the close of the 1960s, surrounding
Ennio Morricone's music from Sergio Leone's "Man-With-No-Name"
Westerns starring Clint Eastwood. The first one, A Fistful of
Dollars, had yielded a successful soundtrack album when issued
in America in 1967, despite the fact that Morricone had only
recorded 14 minutes of music for it. There was demand for a
soundtrack LP from the second movie, especially in the wake
of United Artists Records' enjoying a substantial hit with its
soundtrack release from the third movie in the trilogy, The
Good, the Bad & the Ugly. The problem was that Morricone
had only recorded 14 minutes of music from For a Few Dollars
More. As a result, they assembled a soundtrack album on For
a Few Dollars More, which included the six music tracks from
that film and repeated the six original tracks from A Fistful
of Dollars. It all sounds good, and it's interesting to hear
the composer add the sound of an oboe to his distinctive use
of trumpet, guitar, and whistling on a new and haunting melodic
canvas of western musical landscapes. There are no notes, alas,
and there's little other information printed, but the album
is enjoyable as far as it goes. It should also be noted, however,
that most of the key sections of this and A Fistful of Dollars
are available at a lower price on RCA's Ennio Morricone collection,
Legendary Italian Westerns, which is also well-annotated. (Our
chronology number 65-03)
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2012
follow-up message:
Google closes China music site
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world's No.1 Internet search engine Google Inc said over the weekend
that it will close its China-only music search service two years
after the company closed its search engine in the Chinese mainland,
as it has been losing ground to Chinese search service providers.
As of Sunday,
a message pops up when users try searches on the original Web
page of Google Music, saying that "the service has been
shut down, and users are reminded to log in, download and save
the playlist before October 19."
Google launched
the music search service in March 2009 working with Chinese
music website top100.cn to provide free and legal music in China.
"The
popularity of this product turned out to be lower than we expected,
therefore we decided to transfer resources to other products,"
Boon-Lock Yeo, head of Google's engineering and research teams
in China, announced on Google's company blog Friday.
Google has
been losing its share of the highly competitive search engine
market in China, Yan Xiaojia, an Internet analyst with Beijing-based
Analysys Consulting, told the Global Times Sunday.
Google currently
holds 15 percent of the search engine market in China, sliding
from almost 30 percent two years ago, and its rank dropped from
No.2 after Baidu to the current No.4 with other Chinese search
service providers such as Easou and Tencent's soso.com catching
up, Yan said.
Apple Inc
recently replaced Google's Map service with a local Chinese
map service provider in its latest iOS 6 operating system, further
hurting Google's search business in China, Yan said.
The decreasing
number of users of Google search led to a slide in advertising
revenues, said You Tianyu, an analyst with iResearch Consulting.
"The copyright of the music is very costly and needs support
from advertising revenues."
As of June
this year, a total of 6 billion users had accessed top100.cn,
Google Music's sole partner that provides legal music, which
received 400 million yuan ($63 million) in advertising revenues
in total, Chen Ge, founder and CEO of top100.cn, wrote on his
Weibo Friday.
"However,
since Google pulled out of the mainland in 2010, the advertising
sales of Google Music almost came to a halt," Chen said.
His firm
received $8.91 million investment from Google.
Google China
redirected search users in the mainland to servers in Hong Kong
in a dispute over censored search results in March 2010. Since
then, many users have complained about difficulties in getting
access to its search engine Web page from time to time.
Despite
a falling market share in China, Google has competitive advantages
in English content search, which it should maintain, Yan said.
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March
28,2010
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