The second is to add three works:One is 1968 film "Gli intoccabili (Giuliano Montaldo) / Machine Gun McCain". It is numbered in our website as TB6801); One is 1972 film "iViva la muerte... tuya! ( Duccio Tessari) / Long Live ... Your Death! (TB7201); Third also is 1972 film "Il Ritorno di Clint il solitario (Alfonso Balcazar, George Martin) (TB7202). Plus 26 films in 2009-2016 , the total number is 427 films. ( 3 films of them, there are still some issues to be clarified, See the Follow-up problems at the bottom of this page)

The filmography of the EMOW finally have a little change after we look forward to seven or eight years . No matter how much, it is a progressing. We welcome this

However, this filmography, there are still many problems to be solved: Except for the ownership of the two 1961 short films (See here) and released year problem for 1 film (TV Movie)( See here)and many man-made wrong problems(See here), more important is the lack of many works in existing filmograpy of in the EMOW. Just like the three added new films mentioned earlier, there are at least dozens of films that belong to Ennio Morricone, but disappeared in the EMOW (If adding some other types of works, especially the cited works which appeared in the 1990's, its number may be several hundred. Of course, this problem is more complex, need a unified understanding, in order to concentrate on solving the main problem first, this type of works is not included in the scope of this article temporary)

First of all, we should see that, after 60 years of historical interpretation, Morricone's film music works are quite complex. Therefore, before combing these works, we need to have a clear definition that should be easy to operate. That is to say, we need to study first is which works should and must be included in the filmography of Ennio Morricone? This should of course be EMOW's power and responsibility, and its ideas and laws are the first thing we should figure out. However, after more than 8 years of practice and observation, I found that the EMOW is untouchable and isolated from fans. There seems to be no interest in listening to opinions from the fans for improvement work. It long ignored for the fan's of the contact email?For 8 years from 2009 to the present, I have sent many types of email (suggestions, forward my critical article released in "MAESTRO", requests to correct mistake of Morricone concert brochures edited by them, and so on) to it many times and want to get in touch,, but they did not have any reply. (See here) Not only that, in 2015, It also abruptly shut down its forums that unique could contact ordinary fans, even the forum administrators Mr. Caletka they hired were all don't know anything. Such a lot of problems naturally cause many fans dissatisfaction, and gradually lose everyone's admiration and trust to him, and the authority it deserves. So far, we have been unable to get in touch with this EMOW , do not know its organizational structure and operating rules, not sure whether our beloved maestro Ennio Morricone was really involved in the formulation of the filmography and know that it has many serious problems? This is indeed a reality that makes fans bitter and dissatisfied. Since the road is closed, we don't have to hang on this one tree. There is a proverb in China that "Draw a tiger after the model of a cat? the EMOW has, after all, published more than 400 film catalogues in its filmography for a long time, (For pure music part, not in our discussion range), except for obvious mistakes need to be corrected, in contrast to so many films, we can even "Draw a tiger after the model of a tiger? We can analyze the ideas of this person who is filmography producer (perhaps a collective), according to these existing filmography, summed up the general law they adopted, and then to study its existing problems.

Carefully study the EMOW of existing 427 films (including TV, the same below) and the resources we already have (At present we have 370 films of them, about 87%), we can divide them into 8 types (A1, A2, B, C1, C2, D, E, F). Their common features of vast majority of the films in EMOW are: Ennio Morricone's name is shown in the credits of the titles of a film (a few at the end of the film). Most in the name of the composer, a few In the name of a cooperative composer (.... and ....), theme, arranged (adaptation) , consultation (consulenza), etc. (Does not include Morricone only as a conductor, also not include Morricone only as an author of cited music in the end credits)

The credits in the films should be the most primitive and reliable written information for every film,with legal responsibility and effectiveness?That's final., known to the world, does not allow any tampering.(Of course, due to various reasons, there are some exceptions,for example, the following E and F two types. But it must be negotiated through the parties, to discuss, and even to resort to the law,to get a unified conclusion in order to take effect.)Such a legally effective feature,it can and should be used as our most fundamental and most important basis and principles in order to determine whether the film (music) belongs to Ennio Morricone

According to this principle, we will divide them (427 films in the EMOW) into A1, A2, B, C1, C2, D, E, F, total 8 types and enumerates some representative works to carry on the analysis research:

Type A1: Its original soundtracks to be composed by Ennio Morricone alone, the film's OST album or compilation all are belong to Ennio Morricone, there is no controversy. This type of films belong to the main part in the EMOW filmography. From "Il federale / The Fascist (Luciano Salce)" (1961) to "La Corrispondenza (Giuseppe Tornatore) / The Correspondence" (2015),most films in EMOW show this characteristic.

Example 1- 1961 "Il federale / The Fascist (Luciano Salce)" ?(TA6101 Title of the credits see below screenshot, located at 000121)?Commento musicale" -- Italian is translated into English "Film score"

Type C1: Morricone and other musicians collaborated to compose,Morricone and co-operative musicians are listed together or listed separately as the main composer in the credits of the film. The proportion of works in Morricone or more or less, only one theme music at the fewest times. This type of works and the following type C2 works all belong to the cooperative works. Their basic definition is clear,but the specific situation of cooperation is more complex, so thus prone to disagreement and controversy. The missing works in EMOW main are this type, we will discuss these problem in the following third parts of this article：

Type D: Morricone did not appear as a composer but with other faces,example consultant, arranger, orchestration etc. but does not include him as director and music supervisor etc. Most of these films appear in cooperative film with Pasolini and a few other films. But not all of this type of films have been included in the filmography of the EMWO,. This is also the question to be discussed in Part 3 of this article.

Example 17- "Il fiore delle mille e una notte/Arabian Nights (Pier Paolo Pasolini) ? (TA7403 Title of the credits see below screenshot, located at 000140. it shown "Musiche a cure di ENNIO MORRICONE" (cure - equivalent to treatment in English)

Fortunately, after much effort, we found it

Example 21- "Italiana petroli (Short film Giuseppe Tornatore)" ( TA9004) (See here NA9004B)?Its length only 30 seconds,and no credits(TA9004,see below screenshot, located at 000029)

According to existing catalogue in EMOW and the film resources in my hand, by way of "Draw a tiger after the model of a tiger", Judge each film strictly,at least 26 films (type A-D) are missing ( will be 48 films if plus type E and F) . They should be added to EMOW's filmography.

Their main features are:

1. The name of Ennio Morricone individually or correspondingly is shown in the credits subtitle of the film as main composer or important composer
2. The completely similar of film can be found in the above type A1, A2, B, C1, C2, D, E, F
3. Related information can be found in the main websites(Example IMDB, CHIMAI, SOUNDTREACK and so on)

The information No information of the film in IMDB. But you can find conclusive evidence to prove the film composed by Ennio Morricone in CHIMAI and the credits subtitle in the film. Especially the CD "Ennio Morricone: Rare & Unreleased Soundtracks from the 60s & 70s released in 2014, it explicitly lists 4 Original Soundtracks for the film by Morricone

CHIMAI Composer Ennio Morricone