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The Morricone's music played by Jiapengfang who is a Chinese residing Japan
The VIP member special area has been opened in 2011
To meet the Morricone fans's requirement that In-depth study the series of works of the great master Ennio Morricone
Providing complete summary and play in online of the OST and the flms of 401 official works of Ennio Morricne
A lot of sheet music, lyrics, subtitles and research articles for share. Welcome you to join
The first set of 9 commemorative DVD discs( containned film and OST ) have been completed by us, please pay attention
played by Jiapengfang who is a Chinese residing Japan
played by Jiapengfang who is a Chinese residing Japan
played by Jiapengfang who is a Chinese residing Japan
Jia Pengfang's Chinese Period

Jia Pengfang's Chinese Period

Jia Pengfang started playing the erhu about the age of 8 under the influence of his brother who was an erhu player. He started public performances in concerts and concert tours when he was merely ten years old. Jia had studied under the prominent erhu players, such as Shen Liliang, Zhou Yaokun, Wang Guotong, Zheng Fengzhi, Chen Yaoxing, Min Huifen from the age of 17. In 1978, at the age of 19, Jia was chosen to be the several successful candidates accepted to the Central Music Academy's Folk Music Department from more than five hundred applicants. At the same time, he was invited to be a member of the largest Chinese folk music orchestra "China Central Folk Music Orchestra". Later that year, Jia became an erhu soloist, and then sub concertmaster of the orchestra.
In 1987, he was introduced as a promising young erhu player to the world by the Chinese International Broadcasting Station. He was featured in the music program "Shenzhou Yuetan (Orchestra of Sacred Country)" of the Chinese Republic Radio Station. He did more than 300 performances as a soloist all over China, and was highly acclaimed by the critiques. He also did many broadcasts for both national and international stations. Cassette tape "MingYue QianLi Ji XiangSi" by China Musician Sound Vision Publisher and "Xin Hun Bie" by China Radio Sound Vision Publisher were published.


After Moving to Japan

Jia Pengfang moved to Japan in 1988. He joined the composer Katsuhisa Hattori's record album production as a soloist. He often performed in Hattori's concerts as a guest performer, which were broadcast by TBS & NHK. As a recording musician, Jia's work ranges over various areas;
CD production (Shinji Tanimura, Jo Hisaishi, Soujirou, Kazumi Watanabe, Kiyohiko Semba, Akina Nakamori, Aska Kaneko, etc.);Movie, TV music ("Mononoke-Hime", "Cat's Eye", "A City of Sadness", "Chinese Poem Travel Log", "Gu-Gong as Chinese Old Palace", etc.);CM music (Nissan, Marui, Suntory, Nichi-Rei, Kanebou, Asahi-Foods, Mr. Doughnuts, etc.);Game music ("SanGuoZhi---Three Countries' History", "Chu-Ten", etc.). In addition, Jia performed in concerts all over Japan, including the Hiroshima Peace Music Festival, the Asian Music Festival, and the Japanese Sea Sunset Concert.
In January 1993, Jia held his first recital, which received excellent reviews and made his reputation. In August, Jia was invited to teach in workshops organised by the Singapore Southern Music Society. In May 1994, he released his first CD "Kagen" from Victor, followed by a concert in June for the marketing. In the summer of 1995, Jia joined the Asian Fantasy Orchestra touring Southeast Asia, and appeared live in TBS "News 23". In the summer of 1996, he made a great success with the Asian Fantasy Orchestra tour called "Infinite Earth". In May '97, his Chinese folk music group "Jia Pengfang & TianHua-Ensemble" held its concert. Jia performed in the United Nations General Assembly Hall, New York, also in Carnagie Hall, playing with the Tokyo Pops Orchestra and New York Pops Orchestra.

Present Activities Jia Pengfang Present Activities Jia Pengfang Present Activities Jia Pengfang
Present Activities

In contrast to Chinese folk music, he also performs with musicians in other fields, i.e., Pops, Japanese (traditional) music, Classic, and other styles of folk music, including sessions with Akira Inoue, Kazumi Watanabe, Kiyohiko Senba, and Mojibee Tokiwazu. He is still broadening his activities in other related fields.

He recently acquired a Master of Arts degree in Music at Tokyo University of Arts. He organises "TianHua Erhu Study Society". He is the leader of Chinese folk music group "Jia Pengfang & TianHua-Ensemble". He is a member of the Chinese Musicians Association, the Chinese National Orchestral Society, and the Eastern Musical Society.

Above from:
The Morricone's music played by Jiapengfang--"Romance"
Issued by Japanese Pacific Moon co. in 2003 (320 kbps Mp3)
Only 20Kbps WMA format are provided in the page
If you need the MP3 with higher bitrate in this page, please click "'Request download" at top icon
listen in online with WMA format
Nuovo Cinema Paradiso
Tema d'Amore
Deborah's Theme
Playing Love
Toto E Alfredo
Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)


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