| English-->engmus-000-->engmius-031-035 |
Same
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A
catalog of Morricone's music mus-031 -->
mus-035
mus-031
"MOSES"--1974
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75-03
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Relative movie
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Note
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Only
provide a part of watch in online in every movie page.
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No.
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Name
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WMA
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001
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TEMA DI
MOSE'
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002
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ESODO PRIMO
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003
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ISRAEL
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004
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NELLA VOCE
DI DIO
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005
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MONODIE
SOVRAPPOSTE
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006
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SUONATORI
DI FLAUTO
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007
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BATTAGLIA
E MAR ROSSO
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008
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CANTO NOTTURNO
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009
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SOUNI NOTTURNI
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010
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LAMENTARIZIONE
PRIMA
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011
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LE DIECI
PIAGHE(PARTE 1)
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012
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TEMA DI
MOSE'(VIAGGIO)
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013
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MEDITAZIONE
PRIMA
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014
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TEMA DI
MOSE'(TITOLI DI CODA)
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015
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ALTRI SUONATORI
DI FLAUTO
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016
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LE DIECI
PIAGHE (PARTE 2)
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017
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SALMODIA
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018
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CANTO DI
DONNE
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019
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ESODO SECONDO
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020
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URLA NOTTURNE
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021
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LAMENTAZIONE
SECONDA
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022
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LE DIECE
PIAGHE (PARTE 3)
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023
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TEMA DI
MOSE'(RITO DELLA PASQUA)
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024
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LE QUAGLIE
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025
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E DIECI
PIAGHE (PARTE 4)
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mus-032
"Peur
sur la ville"--1975
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75-02-official
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Relative movie
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Note
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001
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PAURA SULLA
CITTA'
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002
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SUI TETTI
DI PARIGI
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003
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MINACCIA
TELEFONATA N.1
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004
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PARIGI
SEGRETA (LA PARIGI NERA)
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005
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DOLCEMENTE
AMBIGUA
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006
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ESSERE
PRESO DAL PANICO
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007
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SOSTA VIETATA
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008
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AVVERTIRE
LA POLIZIA
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009
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LE TELLIER
E HELENE
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010
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AZIONE
PARNOICA
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011
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MINACCIA
TELEFONATA N.2
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012
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PAURA SULLA
CITTA'(FINALE)
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013
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MON AMI
DE TOUJOURS-LE CASSE
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014
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PAS VU,
PAS PRIS-LE CASSE
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mus-033
"Orca"--1975
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77-02-official
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Relative movie
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Note
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001
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ORCA
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002
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I PRIMI
GHIACCI
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003
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INTERMEZZO
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004
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DIALOGO
DEI RICORDI
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005
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LA LOTTA,
LA VITTORIA, LA MORTE!
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006
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UN BALLO
IN CASA
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007
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NOTTURNO
PER UN RIMORSO
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008
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L'ATTACCO
E INCONTRO
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009
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APERTURE
E INCONTRO
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010
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MONTATI
L.ARRIVO AL POLO
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011
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ORCA FINALE
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012
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We are
one
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mus-034
"Il
mostro"--1977
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77-08-official
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Relative movie
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Note
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001
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PROFONDAMENTE,
NEL MOSTRO (1 PARTE)
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002
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MALINCONICA
SERNITA'(1 PARTE)
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003
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UN PICCOLO
MOSTRO
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004
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MALINCONICA
SERENITA'(2 PARTE)
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mus-035
"Holocaust2000"--1977
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77-03-official
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Relative movie
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Note
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001
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HOLOCAUST
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002
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SLOGAN
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003
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IL BENE-CATTIVO
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004
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JESUS
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005
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CAMERA
ANODIZZATA
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006
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RITORNO
DI SUONI
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007
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STROFA
MONODICA
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008
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FESTA ALL'AMBASCIATA
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009
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DA MILLE
ECHI, UN GRIDO
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010
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HOLOCAUST
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011
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SERIE DI
TRE
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012
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COMPUTER
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013
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IL MALE
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014
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FALSAMAREA
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015
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HOLOCAUST(CONCLUSIONE)
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016
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TELEFONATA
INTERROTTA
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017
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CENTRALE
NUCLEAREW
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The
VIP member special area has been opened in 2011
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To
meet the Morricone fans's requirement that In-depth study
the series of works of the great master Ennio Morricone
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Providing
complete summary and play in online of the OST and the flms
of 401 official works of Ennio Morricne
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Morricone
soundtracks resource library (Total
5596 tracks)
has been opened, Free download
>>>>>>
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Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the
way music would be used in Westerns, and it is hard to think
of a post-Morricone Western score that doesn't in some way
reflect his influence. Although his name will always be synonymous
with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making
him one of the film world's most versatile artists. He has
written nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966). It must be stressed that he
is *not* behind the work of the entirely separate composers
Bruno Nicolai and Nicola Piovani despite allegations made
by more than one supposedly reputable film guide!
(see
here) |
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