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English --> engfpages000 --> engfpages-f1008-9

 

engmus-f1008-9

3 sets MP3 music (1 set is Non-Morricone) were uploaded by ALEX

 

About ALEX
ALEX is a Russian young web friend. He has uploaded the about 80 Morricone's music that is total 330M since last year. The cello music played by YO-YO MA was warmly well liked by worldwide web friends and at the top of the download list lately. We have know that he is working in Moscow now from himself introduce. Recently, he has published some photos taken by him in a Russian web site, below are a few reprinted photos for your appreciate, a photo of them is his little son ANDERY. Maybe you will more understand some common Russian from these photos. You also could see this web page for more http://www.myphotoalbum.ru/user.php?id_u=510 if you are interested it. (2005.1.18. Editor)

Alex is in right

 
Above is 2007's photos
Many happy to Alex and his family. Strong and prosperous to Russia !!!

E-mail of Alex: capshow@mail.ru

Alex's personal web page see here

Notify

1008-9-01 German pianist Jens Thomas

Jens Thomas plays Ennio Morricone(ACT 9273-2)

Original music is 200-220Kbps Mp3

Jens Thomas plays Ennio Morricone(ACT 9273-2)
Jens Thomas, den der K?lner Stadtanzeiger schon mal zum "Himi Hendrix des Flügels" erkor, wurde 1970 in Braunschweig geboren. Erst mit 19 erschloss sich der zun?chst mit klassischem Klavierunterricht und sp?ter mit Rockmusik aufgewachsene Pianist langsam die Welt des Jazz. Seine Idole hei?en bis dahin auch nicht Hancock, Jarrett oder Monk, sondern Police, AC/DC und BAP (!). Ein typisch bunter Mix für einen pupertierenden Pianisten, wenn ...(see here)

(Auto translate from here) Jens Thomas, that the Cologne city indicators already times to the “Himi Hendrix of the wing” erkor, 1970 in Braunschweig were born. Only with 19 first with classical piano instruction and later with skirt music pianist grown up was opened slowly the world of the jazz. Its Idole are called up to then also not Hancock, Jarrett or Monk, separate policy, ACDC and BAP (!). Typically more multicolored mix for a pupertierenden pianist, if…

Jens Thomas plays Ennio Morricone(ACT 9273-2)

You Can't Keep a Good Cowboy Down contains some of Morricone's most important themes, themes that God knows are not just simply background music for spaghetti Westerns. With an amazing feeling for musical images, with a loving rearranging of the rhythmic, harmonic, and melodic source, Thomas demonstrates how one can treat the material both freely and at the same time with respect. When Jens sent him a copy of the recording, Ennio Morricone reacted enthusiastically to the music. He wrote back, "The quality of your piano playing and improvisation is remarkable. Your fantasy and technique is on the highest level". Eight pieces are recorded in solo, at times accompanied by the ticking pendulum of a metronome. On four compositions Jens Thomas is accompanied by two important players in the Italian jazz scene: the Sardinian trumpeter Paolo Fresu and the accordion virtuoso Antonello Salis. (See here)

 

About Jens Thomas 01, 0203  About CD 01, 02, 03, 04, 05  About ACT comp. 01, 02

No.
Name
WMA Listen
001
you can't keep a good cowboy down (overture)
002
the man with the harmonica
003
the good, the bad and the ugly
004
cockeye's song
005
once upon a time in america
006
deborah's theme
007
the battle of laatzen
008
once upon a time in the west
009
for maestro morricone
010
poverty
011
pioggia
012
here's to you
 

1008-9-02

La piovra (Russian release)

Original music is 320Kbps Mp3

La piovra (Russian release)
La piovra (Russian release)
La piovra (Russian release)
La piovra (Russian release)
La piovra (Russian release)
La piovra (Russian release)
About CD 01, 02, 03, 04, 05
About DVD 01, 02
Alex said in the E-mail dated April 23, 2006: "About "La Piovra" (Russian relise). Recently I took part in a creation of the licensed audio CD of Maestro. (See RAR--Above images). I wrote the annotation and helped to translate the tracks!"

 

84-03--->99-07
Relative movie
Note
"-official" is in official catalogue

 

001
La piovra (theme principal)
002
Mille echi
003
Tentativo d'amore
004
Agguato
005
Canzone per la sera
006
Arresto
007
Groviglio di sospetti
008
Morale
009
Morte di un giusto
010
Esther
011
Una pietra sopra
012
Intimamente
013
Ricatto
014
Strana bambina
015
Ricordo d'infanzia
016
Notturno per una citta
017
La morale dell'immorale
018
Per Anna
019
My heart and I
020
Silenzio dopo silenzi
 

 

1008-9-03 (Non-Morricone's music)

Pierre Richard OST

Original music is 128 Kbps Mp3

Pierre Richard OST

France's supreme comedian Pierre Richard, was born on August 16,1934 in Valenciennes, Nord, France

Certainly one of France's supreme farceurs in the classic tradition, comedian Pierre Richard was born to an uppercrust family with an embarrassing riches of middle names as he was christened Pierre Richard Maurice Charles Leopold Defays. Working and building up his trade at the Paris Music Hall in the early years, he appeared in small movie roles thoughout most of the 60s. In the 70s, however, he aimed his genius directly towards film and succeeded beyond the wildest expectations. Directing and co-writing many of his slapstick vehicles, his characters often have taken on an hilariously guileless persona and, coupled with his innate gift for klutzy physical comedy, have become an audience favorite for nearly four decades. His superior work in The Daydreamer (1970) and The Troubles of Alfred (1972)was immediately recognized and this led to the international crossover hit The Tall Blond Man with One Black Shoe (1973) in which Richard played a naive, innocent concert musician plucked by chance to become a superspy on a top secret mission. A potent association in the 1960s and 1970s with actor/producer/director Yves Robert and the 1980s with writer/director Francis Veber and actor Gerard Depardieu produced several comedy classics: Alexander (1967), The Return of the Tall Blond Man with One Black Shoe (1974), The Goat (1981), Les Comperes (1983) and The Fugitives (1986). Many of Richard's classic comedies, including The Toy (1976), have spawned Hollywood remakes and imitations, though most pale compared to the originals.
....(here)

Pierre Richard OST
About CD  01, 02, 03       About Pierre Richard 01, 02, 03, 04, 05, 06, 07, 08

 

001
Le Jouet
002
Sirba
003
S.E.N.X.
004
Les Fugitifs
005
Music-hall
006
La Cabra
007
Alcazar
008
Indian flip
009
Pierre et Bunny
010
Les comperes
011
Mon fils
012
La Petite fille et le clochard
013
Pierre et Jackie
014
Je Veux ca
015
La moutarde me monte au nez
016
Le Retour
017
- Le coup du parapluie
018
Nai, Nai, Nai
019
La Femme revee
020
Charleston
021
Jeanne et Lucas
022
Les Brahms men tombent
023
Babouchka
024
Rio de Janeiro
 
 

 

Honorary Oscar 2006 goes to composer Ennio Morricone

congratulations Morricone most heartily

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)

 

 
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