| English-->engmus-000-->engmius-051-055 |
Same
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A
catalog of Morricone's music mus-051 -->
mus-055
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Only
20 Kbps low bit rate was provided for personal enjoy here
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mus-051
"Download
from chimai"
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About
"Chi Mai"
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| "Chi
Mai" was created by Ennio Morricone is in 1971 earliest
for movie "Maddalena". Afterward was used again
by movie "Le Professionnel" in 1981 and made a variation
by Morricone, it just is "The wind,the scream".
The theme was also used in a British TV series "The Life
and times of David Lloyd George" at 1980s, and it was
warmly like by British fans, then established its irresistible
status (See
here) |
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No.
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Name
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WMA
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001
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checentriamo
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002
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emscores
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003
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Ensemble
Hyperion Omaggio
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004
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ilcantodel
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005
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ilviolonistasereno
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006
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jacquelineboyer
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007
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laluzprodigiosa-live
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008
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macchiesolari-thevictim
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009
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mandolalessandroni
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010
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mariagoretti
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011
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mariannemille
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012
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mmancini-cinemaparadiso
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013
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musashi-preview
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014
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ripleysgame
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015
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trecolonne
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016
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veruschka-preview
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mus-052
"Cinema
Paradiso"-1988
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88-08-official
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Relative movie
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Note
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A
similar web page with 320Kbps see
here
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001
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001
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002
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002
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003
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003
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004
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004
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005
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005
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006
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006
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007
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007
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008
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008
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009
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009
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010
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010
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011
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011
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012
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012
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013
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013
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014
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014
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015
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015
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016
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016
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017
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017
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018
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018
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019
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019
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020
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020
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021
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021
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022
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022
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023
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023
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024
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024
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mus-053
"1000000
dollari per ringo"-1985
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65-13
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Relative movie
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Note
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001
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sfida
eroica
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002
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cadenza
funebre
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003
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ballata
per ringo
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004
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tumulti
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005
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colt in
agguato
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006
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il volto
nascosto
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007
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drammatico
incontro
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008
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paura
di morire
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009
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ballata
per ringo (ii vers.)
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010
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incontro
di fuoco
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011
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minaccia
di vendetta
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012
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repressione
violenta
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013
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attesa
inutile
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014
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invocazione
drammatica
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015
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paura
di uccidere
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016
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all'ultimo
sangue
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mus-054
"122
rue de provence"-1978
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78-02-official
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Relative movie
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Note
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001
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One two
two
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002
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Encore
loin
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003
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Premiere
experience
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004
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One two
two
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005
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122 Rue
de Provence
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006
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Photo
indiscrete
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007
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Sonate
interrompue
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008
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Encore
loin
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009
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Au premier
etage
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010
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Melodie
populaire
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011
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One two
two
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012
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Au Deauville
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mus-055
"Casualties
of War"-1989
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89-02-official
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Relative movie
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Note
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001
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Casualties
Of War
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002
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Trapped
In A Tunnel
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003
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No Escape
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004
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The Abduction
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005
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No Hope
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006
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The Rape
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007
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The Death
Of Oahn
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008
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The Healing
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009
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The Fragging
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010
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Waste Her
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011
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Elegy For
A Dead Cherry
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012
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Elegy For
Brown
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The
VIP member special area has been opened in 2011
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To
meet the Morricone fans's requirement that In-depth study
the series of works of the great master Ennio Morricone
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Providing
complete summary and play in online of the OST and the flms
of 401 official works of Ennio Morricne
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Morricone
soundtracks resource library (Total
5596 tracks)
has been opened, Free download
>>>>>>
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Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer partnerships
(right up there with Eisenstein & Prokofiev, Hitchcock &
Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's
Santa Cecilia Conservatory, where he specialised in trumpet.
His first film scores were relatively undistinguished, but he
was hired by Leone for Per un pugno di dollari (1964) on the
strength of some of his song arrangements. His score for that
film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the way
music would be used in Westerns, and it is hard to think of
a post-Morricone Western score that doesn't in some way reflect
his influence. Although his name will always be synonymous with
the spaghetti Western, Morricone has also contributed to a huge
range of other film genres: comedies, dramas, thrillers, horror
films, romances, art movies, exploitation movies -making him
one of the film world's most versatile artists. He has written
nearly 400 film scores, so a brief summary is impossible, but
his most memorable work includes the Leone films, Gillo Pontecorvos
_Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission
(1986), Brian De Palma's The Untouchables (1987) and Giuseppe
Tornatore's Nuovo cinema Paradiso (1988), plus a rare example
of sung opening credits for Pier Paolo Pasolini's Uccellacci
e uccellini (1966). It must be stressed that he is *not* behind
the work of the entirely separate composers Bruno Nicolai and
Nicola Piovani despite allegations made by more than one supposedly
reputable film guide!
(see
here) |
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