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FA7121 Tre nel mille (film)
Auther: Jonathan Broxton

ENNIO MORRICONE REVIEWS, Part 11-107

TRE NEL MILLE (1971)

Tre Nel Mille is a historical adventure comedy directed by Franco Indovina, set in the year 999. Two lowly Roman soldiers, Pannocchia and Carestia, and their legionnaire commander Fortunato are traveling through Italy, and are worried about the impending turn of the millennium, which is supposed to result in a terrible prophecy coming true, and bad luck befalling all those who witness the year. As the three of them have numerous adventures across the land, the prophecy appears to come true for Fortunato, when he discovers that his wife has been unfaithful to him while he has been away. The film stars Carmelo Bene, Giancarlo Dettori, and Franco Parenti.

Despite the comedic elements in the film, large parts of the score for Tre Nel Mille is surprisingly lovely. The main theme, “Ballata Trovatorica,” is a soft ballad for strings and guitar that is lonely, perhaps even a little sad, capturing the generally solitary existence the three central characters lead as they travel from town to town on behalf of the Roman army. Cues like “Elegia Con Interruzione” builds more on these ideas, as does the pretty “Le Voci dal Liuto,” which blends a light lute melody with low, slightly menacing woodwinds and cooed vocals.

Perhaps more indicative of their characters is the infectious “Saltrello Dei Tre Pupazzi,” a medieval-sounding dance for lutes and percussion that just stays the right side of playfully catchy, but cues like these are the exception rather than the rule. “La Vallata di Firenze” is an unusual piece for oddly-metered rhythmic ideas, competing male and female wordless vocals, and a cacophony of period instruments. “Responsori Per Liuto e Voci,” “La Piccola Zampogna,” and “La Grande Zampogna” are similarly challenging and unsettlingly dissonant, with latter using woodwinds in a very unusual timbre. Most unusual of all is “Maiali Ed Altri Animali,” a bizarre cacophony of human croaks, oinks, whistles, and other assorted animal sounds that have to be heard to be believed.

Tre Nel Mille is another one of those Morricone scores which blends the endlessly lovely with the utterly insane, as only Morricone could. Most people will find the main theme appealing, but some of it may be way too out in left field to be tolerable. The only full release of the score came out in 2010 on the Italian Cometa label, and this is it.

Track Listing: 1. Ballata Trovatorica (4:57), 2. Saltarello Dei Tre Pupazzi (2:09), 3. La Vallata di Firenze (1:52), 4. Elegia Con Interruzione (4:07), 5. Le Voci dal Liuto (2:14), 6. Arrivo al Castello (1:39), 7. Responsori Per Liuto e Voci (2:41), 8. La Piccola Zampogna (1:42), 9. Maiali e Altri Animali (1:17), 10. La Voce del Liuto (1:37), 11. La Grande Zampogna (3:25), 12. Canto Per Liuto (2:00), 13. Ballata Trovatorica (4:11). Cometa CMT-10008, 33 minutes 14 seconds.

March.6, 2021
Film Appreciation on This Website
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001
Ballata Travaticorica (01:37)
002
Saltrello Dei Tre Pupazzi (04:52)
003
La Vallata Di Firenze (04:09)
004
Elegia Con Interruzione (01:56)
005
Le Voci Dal Liuto (04:07)
006
Arrivo Al Castello (03:22)
007
Responsori Per Liuto E Voci (01:40)
008
La Piccola Zampogna (01:48)
009
Maiali Ed Altri Animali (01:33)
010
Le Voci Del Liuto (02:11)
011
La Grande Zampogna (01:14)
012
Canta Per Liuto (02:37)
013
Ballata Trovicatorica (02:08)
Attachment: About Jonathan Broxton
Jon is a film music critic and journalist, who since 1997 has been the editor and chief reviewer for Movie Music UK, one of the world’s most popular English-language film music websites, and is the president of the International Film Music Critics Association (IFMCA). Over the last 20+ years Jon has written over 3,000 reviews and articles and conducted numerous composer interviews. In print, Jon has written reviews and articles for publications such as Film Score Monthly, Soundtrack Magazine and Music from the Movies, and has written liner notes for two of Prometheus Records’ classic Basil Poledouris score releases, “Amanda” and “Flyers/Fire on the Mountain”. He also contributed a chapter to Tom Hoover’s book “Soundtrack Nation: Interviews with Today’s Top Professionals in Film, Videogame, and Television Scoring”, published in 2011. In the late 1990s Jon was a film music consultant to the Royal Philharmonic Orchestra in London, and worked with them on the films “Relative Values” with music by John Debney, and “The Ring of the Buddha” with music by Oliver Heise, as well as on a series of concerts with Randy Newman. In 2012, Jon chaired one of the “festival academies” at the 5th Annual Film Music Festival in Krakow, Poland. He is a member of the Society of Composers and Lyricists, the premier nonprofit organization for composers, lyricists, and songwriters working motion pictures, television, and multimedia. (Here)
2023.12.10
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