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布罗克斯顿评说莫里康内 MB-006-63

FA6827 Gli Intoccabili / Machine Gun McCain/ 铤而走险 / 机枪麦凯恩
作者 乔纳森·布罗克斯顿 (Jonathan Broxton)
ENNIO MORRICONE 评论,第6部分 006-63

GLI INTOCCABILI [MACHINE GUN MCCAIN] (1968年)

Gli Intoccabili 是一部意大利犯罪电影,由朱利亚诺·蒙塔尔多执导,莫里康内曾在 1967 年与他合作过 Ad Ogni Costo。它由约翰·卡萨维茨、布里特·埃克兰、彼得·福尔克和加布里埃尔·费尔泽蒂主演,讲述了名义上的麦凯恩的故事,麦凯恩是一个假释的黑帮老大,他计划在儿子的帮助下抢劫拉斯维加斯的一家赌场,但很快发现自己陷入了西海岸和东海岸黑手党成员之间激烈的地盘战争。

配乐中的主要主题思想是一首原创歌曲“La Ballata di Hank McCain”,由莫里康内和奥黛丽·诺拉创作,杰基·林顿用英语演唱。这是一首戏剧性的、有力的、搞笑的严肃歌曲,演唱的认真程度令人印象深刻,近乎荒谬。莫里康内有一种奇妙的诀窍,可以写出伟大的音乐,最终在歌曲形式上变成荒谬的夸张的东西,这是其中的另一个——它与“像我这样的外国佬”和其他人非常相似。我喜欢它,但其他人可能会觉得它非常荒谬,而且配乐中的三个不同版本可能有点太多了

乐谱的其余部分出人意料地低调,通常由流畅的爵士乐器组成,以华丽的管弦乐风格排列,偶尔会让我想起 1960 年代的 约翰·巴里 John Barry)或亨利·曼奇尼 ( Henry Mancini)。像“Irene”、“Defilée”和“Come Quando Fuori Piove”这样的提示真的非常可爱,前者将弦乐与大键琴、柔和的铜管和拖曳的打击乐融合在一起,后者则以亚热带节奏为特色,为突出的马林巴琴。后来,“Come Lei”、“Sogno Dopo Sogno”、“Senza Parole”和“Rosemary”都延续了柔和迷人的爵士乐,每首曲目都由不同的主奏乐器演奏主旋律线——第一首曲目是蓝调电吉他,第二首曲目是柔和的小号,第三首曲目是钢琴,依此类推。

最与众不同的是主打歌“Gli Intoccabili – Titoli”,这是一首恶毒而多变的以动作为导向的管弦乐作品,为爵士钹、疯狂的电吉他、刺伤的钢琴簇和刺耳的弦乐而创作,所有这些都以快速的、经常令人迷失方向的速度演奏。很遗憾,在剩下的曲目中没有更多这样的内容,因为它确实非常出色。

多年来,Gli Intoccabili 的配乐已经发行了好几次;这篇评论是 GDM Records 的 2010 年限量版版本,它采用了原始 LP 原声带的重新制作版本,并添加了另外 40 分钟的奖励材料、源提示和替代镜头。Dagored 2001 年发行的专辑更加简洁易懂,Intermezzo Media 还有一张 2015 年的双 CD,将这首乐谱与 1969 年 giallo La Donna Invisible 的音乐相结合。

曲目列表: 1. La Ballata di Hank McCain (2:08), 2.艾琳 (3:35), 3.Gli Intoccabili – Titoli) (1:38), 4.Defilée (1:52), 5.来 Quando Fuori Piove (2:40), 6.汉克·麦凯恩的巴拉塔,第 2 部分 (1:55),第 7 页。来雷 (4:08), 8.Sogno Dopo Sogno (2:43), 9.Senza 假释 (3:57), 10.迷迭香 (2:04), 11.汉克·麦凯恩的巴拉塔,第 3 部分 (2:46),12。拉斯维加斯 (1:35) – 奖金, 13.La Ballata di Hank McCain (Off Vocal) (2:09) – 奖金, 14.悲伤的华尔兹 (1:54) – 奖金, 15.派对音乐 (3:40) – 奖金,16。戏剧音乐 #1 (2:15) – 奖金,17。晚上的音乐 (2:54) – BONUS, 18.La Ballata di Hank McCain (Off Vocal 2) (1:56) – 奖金, 19.滑稽华尔兹 (1:27) – 奖金,20。脱衣舞 (4:51) – 奖金,21。戏剧音乐 #2 (5:16) – 奖金,22。Lounge Fox-Trot (2:33) – 奖金, 23.迷迭香 (替代版本) (3:05) – 奖金, 24.La Ballata di Hank McCain (Off Vocal 3 (2:47) – 奖金, 25.史诗般的华尔兹 (1:32) – 奖金,26。La Ballata di Hank McCain (Single – Alternate Version) (4:26) – 奖金。GDM 7076,71 分 46 秒。

2020.9.19

 

以下是原文

ENNIO MORRICONE REVIEWS, Part 6-63

GLI INTOCCABILI [MACHINE GUN MCCAIN] (1968)

Gli Intoccabili is an Italian crime film directed by Giuliano Montaldo, with whom Morricone previously worked on Ad Ogni Costo in 1967. It stars John Cassavetes, Britt Ekland, Peter Falk, and Gabriele Ferzetti and tells the story of the titular McCain, a paroled gangster who plans to rob a Las Vegas casino with the help of his son, but soon finds himself caught in the middle of a bitter and violent turf war between members of the West Coast and East Coast mafiosi.

The main thematic idea in the score is an original song, “La Ballata di Hank McCain,” written by Morricone and Audrey Nohra, and sung in English by Jackie Lynton. It’s a dramatic, punchy, hilariously serious song sung with impressive an earnestness that verges on the ludicrous. Morricone had a wonderful knack for writing great music that ultimately gets turned into something ridiculously over-the-top in song form, and this is another one of those – it’s very much in the same vein as “A Gringo Like Me” and others. I love it, but others may find it profoundly ridiculous, and the three different versions of it on the soundtrack may be a little too much

The rest of the score is surprisingly low-key, often comprising smooth jazz instrumentals arranged in a lush orchestral style that occasionally reminds me of 1960s John Barry or Henry Mancini. Cues like “Irene,” “Defilée,” and “Come Quando Fuori Piove” are really quite lovely, blending strings with harpsichords, muted brasses, and shuffling percussion in the former, and featuring semi-tropical rhythms for a prominent marimba in the latter. Later, “Come Lei,” “Sogno Dopo Sogno,” “Senza Parole,” and “Rosemary” all continue with the softly enchanting jazz, each featuring a different lead instrument playing the main melodic line – a bluesy electric guitar in the first track, muted trumpets in the second, piano in the third, and so on.

The one piece that stands out as being very different is the title track, “Gli Intoccabili – Titoli,” a vicious and volatile piece of action-oriented orchestral writing for jazzy cymbals, frantic electric guitars, stabbed piano clusters, and shrill strings, all performed at a rapid, often disorienting pace. It’s a shame that there isn’t more of this in the rest of the score, because it really is quite excellent.

The soundtrack for Gli Intoccabili has been released several times over the years; this review is of the 2010 limited edition release from GDM Records, which takes the a re-mastered version of the original LP soundtrack and adds another 40+ minutes of bonus material, source cues, and alternate takes. The 2001 release by Dagored is a little more concise and digestible, and there is also a 2015 double-CD by Intermezzo Media which combines this score with music from the 1969 giallo La Donna Invisibile.

Track Listing: 1. La Ballata di Hank McCain (2:08), 2. Irene (3:35), 3. Gli Intoccabili – Titoli) (1:38), 4. Defilée (1:52), 5. Come Quando Fuori Piove (2:40), 6. La Ballata di Hank McCain, Part 2 (1:55), 7. Come Lei (4:08), 8. Sogno Dopo Sogno (2:43), 9. Senza Parole (3:57), 10. Rosemary (2:04), 11. La Ballata di Hank McCain, Part 3 (2:46), 12. Las Vegas (1:35) – BONUS, 13. La Ballata di Hank McCain (Off Vocal) (2:09) – BONUS, 14. Sad Waltz (1:54) – BONUS, 15. Party Music (3:40) – BONUS, 16. Dramatic Music #1 (2:15) – BONUS, 17. Music for Evening (2:54) – BONUS, 18. La Ballata di Hank McCain (Off Vocal 2) (1:56) – BONUS, 19. Funny Waltz (1:27) – BONUS, 20. Striptease (4:51) – BONUS, 21. Dramatic Music #2 (5:16) – BONUS, 22. Lounge Fox-Trot (2:33) – BONUS, 23. Rosemary (Alternate Version) (3:05) – BONUS, 24. La Ballata di Hank McCain (Off Vocal 3 (2:47) – BONUS, 25. Epic Waltz (1:32) – BONUS, 26. La Ballata di Hank McCain (Single – Alternate Version) (4:26) – BONUS. GDM 7076, 71 minutes 46 seconds.

Sep 19, 2020
在线音乐试听
001
La Ballata di Hank McCain
麦凯恩之歌
002
Irene
艾琳
003
Gli Intoccabili
贱民
004
Defilee
去污秽
005
Come Fuori Piove
外面下雨了
006
La Ballata di Hank McCain
麦凯恩之歌
007
Come Lei
像她一样
008
Sogno Dopo Sogno

一个又一个的梦想

009
Senza Parole
惊讶
010
Rosemary
罗斯玛丽
011
La Ballata di Hank McCain
麦凯恩之歌
012
Gli Intoccabili
贱民
013
La Ballata di Hank McCain (Instrumental)
麦凯恩之歌(器乐版)
014
Gli Intoccabili (Party Version)
贱民 (聚会版)
015
La Ballata di Hank McCain
麦凯恩之歌
Jon 是一位电影音乐评论家和记者,自 1997 年以来一直担任全球最受欢迎的英语电影音乐网站之一 Movie Music UK 的编辑和首席评论员,并且是国际电影音乐评论家协会 (IFMCA) 的主席。在过去的 20多 年中,Jon 撰写了 3,000 多篇评论和文章,并进行了多次作曲家采访。在杂志刊物方面,乔恩曾为《电影配乐月刊》、《原声带杂志》和《电影音乐》等出版物撰写评论和文章,并为普罗米修斯唱片公司的两张经典 Basil Poledouris 配乐专辑《Amanda》和《Flyers / Fire on the Mountain》撰写了衬垫注释。他还为汤姆·胡佛 (Tom Hoover) 于 2011 年出版的《Soundtrack Nation: Interviews with Today's Top Professionals in Film, Videogame, and Television Scorering》一书撰写了一章。在1990年代后期,乔恩是伦敦皇家爱乐乐团的电影音乐顾问,并与他们合作拍摄了约翰·德布尼(John Debney)的音乐电影《相对价值》(Relative Values)和奥利弗·海斯(Oliver Heise)的音乐《佛陀的指环》(The Ring of the Buddha),以及与兰迪·纽曼(Randy Newman)合作的一系列音乐会。2012年,乔恩在波兰克拉科夫举行的第五届年度电影音乐节上担任“电影节学院”主席。他是作曲家和作词家协会的成员,该协会是作曲家、作词家和词曲作者从事电影、电视和多媒体工作的首要非营利组织。
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